Saving Iceland

Event takes place on March 18 in Reykjavik at Harpa.

Bjork will play a concert in protest at the Icelandic government’s proposed changes to conservation laws.

The Icelandic singer tops the bill at the event, which will take place on March 18 at the Harpa Concert Hall in Reykjavik, Iceland. Artists appearing include Lykke Li, Patti Smith, Mammút (pictured below), Highlands, Of Monsters And Men, Samaris and Retro Stefson.

The concert is organised in conjunction with the Iceland Nature Conservation Association (INCA), Landvernd, the Icelandic Environment Association and director Darren Aronofsky, whose film Noah was shot on location in Iceland in 2012 and will premiere at Sambíóin Egilshöll Cinema on the same afternoon.

Collectively operating under the name Stopp!, the group aims to encourage the Icelandic authorities to protect Iceland’s natural environment and impose controls on the damming of glacial rivers and harnessing of geothermal energy, in light of new legislation, reports RUV.

This project was introduced at a press conference at Harpa on the 3^rd of March 2014. Björk and Darren Aronofsky participated in the press conference.

The artists will donate their time and the net income will go to INCA and Landvernd.

The following statement lists the group’s demands:

Stop – Guard the Garden!

All over the world too much of priceless nature has been sacrificed for development, often falsely labeled as sustainable. Rain forests have been cut, waterfalls dammed, land eroded, lakes and oceans polluted, earth’s climate altered and the oceans are now rapidly getting more and more acidic.

In Iceland, the Karahnjukar Power Plant has become the symbol for the destruction which threatens human existence on this earth.

It is our duty to protect Icelandic nature and leave it to future generations, undamaged. The Icelandic highlands, Europe’s largest remaining wilderness – where nature is still largely untouched by man, is not just a refuge and treasure which we inherited and will inherit. The highlands belong to the world as a whole. Nowhere else can we find another Lake Myvatn, Thjorsarver Wetlands, Sprengisandur, Skaftafell or Lake Langisjor.

We demand that Thjorsarver Wetlands, the wilderness west of Thjorsa River and the waterfalls downstream will be protected for all future to come. We strongly protest plans by the Minister for the Environment and Resources to change the demarcation line for the extended nature reserve in the Thjorsarver Wetlands. By doing so, the minister creates a space for a new dam at the outskirts of the area. The way in which the minister interprets the law in order to justify that all nature and/or potential power plants are at stake in each and every new phase of the Master Plan for Conservation and Utilization of Nature Areas is an attack on Icelandic nature and not likely to stand in a court of law. [We have engaged a law firm and we are threatening lawsuit if the Minister goes ahead with his plan]

We now have a unique opportunity to turn the highlands into a national park by bill of law to be adopted by the parliament. Thereby the highlands as a whole will be subject to one administrative unit and clearly defined geographically. Thus all plans for power lines, road construction and/or other man made structures which will fragment valuable landscapes of the highlands will belong to history.

We strongly caution against any plans to construct a geothermal power plant at or near Lake Myvatn. The Bjarnarflag Power Plant is not worth the risk. Lake Myvatn is absolutely unique in this world. Hence, we have a great responsibility for its protection.

We demand that the nature of Reykjanes Peninsula will be protected by establishing a volcanic national park and that all power lines will be put underground.

We find it urgent that the government will secure funds for conservation by hiring land wardens and will protect valuable nature areas against the ever growing pressure of mass tourism.

In particular we protest against the attack on nature conservationists, where unprecedented (sic. S.I. editor) and brutal conduct by the police as well as charges pressed against those who want to protect the Galgahraun Lava, was cruel and unnecessary. We remind that the right of the public to protest nature damage everywhere, worldwide, is a basic premise for the success of securing future human existence on this earth.

We demand that the proposed bill of law repealing the new nature protection laws be withdrawn and that the new laws should take effect, as stipulated, on April 1.

 

Iceland once was set as an example of unspoiled nature, clean energy and extraordinary financial recovery. Unfortunately, lately the strong Atlantic winds of change start to blow in the wrong direction.

By Julia Vol

Andri Snær Magnason

First published in Grapevine. Based on a 2010 article entitled “Í landi hinna klikkuðu karlmanna.” (“In the Land of the Mad Men”). Translated in part by Haukur S. Magnússon.

After the election, we see the old parties of economic mass destruction are coming back to power. Giving enormous promises of easy money to be wrestled from evil vulture funds, debt relief and tax reduction, The Progressive Party doubled in size after a few years of hardship. There is a jolly good feeling between the two young new leaders of a brave new Iceland, and when a radio host called them up and offered to play them a request, they asked for Duran Duran’s ‘Wild Boys.’ I Googled the lyrics, not quite remembering the lines, and got a nice chill down my back:

Wild boys fallen far from glory
Reckless and so hungered
On the razors edge you trail
Because there’s murder by the roadside
In a sore afraid new world

They tried to break us,
Looks like they’ll try again

Sounds quite grim. This, coupled with the new government’s announcement that it would be effectively dismantling the Ministry for the Environment and Natural Resources and that there will be no Minister for the Environment, gave me a strange flashback feeling. I decided to revisit the state of mind that we used to call normal in 2006. When the economic policy, the energy policy, the expansion of our towns, the mortgages on our homes—almost all aspects of our daily life had become totally mad. This is not my own diagnosis; if you search the homepage of the IMF for the phrase “Collective Madness,” you’ll find this:

“’Iceland, in the decade and a half leading up to the crisis, was an example of collective madness,’ said Willem Buiter, chief economist at Citigroup, a remark that elicited spontaneous applause from the more than 300 participants, many of them Icelandic policymakers, academics, and members of the public.”

In our daily lives, we usually sense what is normal and what is over the top. Sometimes the discourse will blind us; PR and propaganda can create a kind of newspeak. It can be a good exercise to try to talk about things in a foreign language, to view them in a new light. As an Icelander, you could for instance try to tell someone from another country that Iceland’s government sold one state bank and received payment in the form of a loan from another state bank—and vice versa. That the state banks were thereby handed to men that were closely connected to the then-reigning political parties. The manager of one of the parties became head of one of the banks’ board of directors, while the other party’s former Minister of Trade belonged to the group that was given the other bank. That man had access to every bit of inside information about the bank’s standing.

In the meantime, this former Minister of Trade became Central Bank Manager. He went to the US and made Alcoa an offer that the company could not refuse. He had thus set in motion the largest-scale construction project in Icelandic history, greatly increasing economic activity in Iceland—a grand boon for the bank he just finished selling to himself.

If you tell this story in a foreign language, people shake their heads. They gape in disbelief. They use words like “corruption” and “mafia.” They exclaim, full of disbelief and even disappointment, “no, not in Scandinavia!”

THE ACCEPTED INSANITY

It is insane to expand a banking system by tenfold in eight years. We know that now. It isn’t technically possible to grow all the knowledge and experience needed to build up and manage such a contraption in such a short time. Not even by shoving an entire generation through business school. It is impossible.

But the megalomania was not just confined to the banking sector. Energy production in Iceland was doubled from 2002–2007, when the huge Kárahnjúkar dam was built in the eastern part of the highlands—to serve one single Alcoa smelting plant. The energy it produces, about 650MW annually, is enough to power a city of one million people. Doubling the energy production in a developed country over a five-year period is not only unheard of, but it would also be considered ridiculous in all of our neighbouring nations. Most industrialised states increase their energy production by around 2–3% annually. Doubling it would be unthinkable. It has been proven again and again that gargantuan investments generally destroy more than they create. Read More

Article by Snorri Páll Jónsson Úlfhildarson, originally published in The Reykjavík Grapevine. Photos: Stills from the film.

It’s dark and silent — nothing unusual around midnight by river Laxá and lake Mývatn in the north of Iceland. But somewhere behind the darkness, beneath the silence, something extraordinary is about to happen. Suddenly, a dynamite explosion disturbs the silence — in what has gone down in history as a single yet highly important step in a much greater movement of resistance.

More than a hundred farmers officially claimed responsibility for the explosion, which annihilated a small dam in the river on August 25, 1970. The area’s inhabitants were determined to prevent the construction of a much bigger dam, which would have destroyed vast quantities of this natural area, as well as most of the surrounding farmlands.

Just as determined to keep the saboteurs away from legal troubles, those who claimed responsibility kept a strict policy of silence, making it hard for the authorities to single out alleged leaders or protagonists. Now, almost half a century and a saved river later, another bang has broken that silence.

A WATERSHED ACT IN ICELANDIC HISTORY

Namely, that is Grímur Hákonarson’s documentary ‘Hvellur’ (“Bang” — see trailer below), which premièred at the Bíó Paradís cinema on January 24. Through dialogues with some of the participants, many of whom still reside by the river, the film tells the story of the Laxá conflict. “We kept all commentators and university professors out,” Grímur told me a few days before the première, “focusing instead entirely on those who took part in it.”

The case is often considered the beginning of environmentalism in Iceland. Shortly thereafter, Nobel Prize-winning author Halldór Laxness wrote his famous, hard-headed call-out for nature conservation — titled ‘The Warfare Against the Land’ — and the Laxá conflict also brought about the Environmental Impact Assessment, which up until then had been completely absent in Iceland’s energy production.

“What makes the Laxá conflict peculiar is that those who resisted also succeeded,” Grímur says. “The planned dam was never built and the area was saved.” Four years later, parliament passed a law securing the protection of Laxá and Mývatn, contributing to the explosion’s status as “the most remarkable and powerful event in the history of environmentalism in Iceland,” as Sigurður Gizurarson, the bomber’s defence lawyer, put it.

Celebrating the forty-year anniversary of the act in August 2010, one of Iceland’s most remarkable environmentalists, Guðmundur Páll Ólafsson, remarked that the act “literally saved the ecosystem of Mývatn and Laxá.” He also maintained that the dynamite “blew up a democracy-restriction imposed on the district’s inhabitants and all those who loved the land, by the authorities and the board of Laxárvirkjun,” the company that owned the dam. “The arrogance of the authorities hovered over the land until the bomb exploded, but then we became free — for a while.”

Sixty-five people were charged for sabotage, but no one spoke out about any details and the Supreme Court ended up handing out mild suspended sentences. The film now reveals that three men were responsible for igniting the dynamite. Only one of them is still alive.

STILL THE BONE OF CONTENTION

In any case, exposing secrets is much less the film’s aim than documenting and preserving this extraordinary story. And for a good reason — it could easily fall into oblivion. “People over fifty remember this event very well, but those who are younger don’t really know the story,” Grímur says, adding that during the film’s making, they were told numerous times that they should have started filming much earlier as many involved have since passed away.

But how do those still alive recall these events today? “No one looks back regretfully, and most of them are still politically radical, opposed to large-scale destruction of natural areas for energy production. They are proud of the results of their act,” Grímur says.

But as Guðmundur Páll’s words, “then we became free — for a while,” imply, the plans had not been cancelled for good. During the construction of the huge Kárahnjúkar dams in Iceland’s eastern highlands, a new construction plan for Laxá was put on the drawing table. However, as words of warning came from Mývatn — including that the locals surely hadn’t forgotten how to use dynamite — the plans were later drawn back. Siv Friðleifsdóttir, then Minister of the Environment, stated that never before had she been so pleased to cancel a project.

Many of Iceland’s most remarkable natural areas are still the bone of contention between environmentalists and industrialists, including geothermal areas close to Mývatn [see here and here]. Grímur doesn’t consider the film to be part of the current conflict, but it doesn’t mean that people won’t feel some connection with today’s most pressing environmental issues. “One only needs to listen to the debates in parliament,” Grímur concludes, “to notice that the same old discussion is still going on today.”
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HVELLUR from Ground Control Productions on Vimeo.